Carol Odell opted for painting as her way of expression when she was small and decided to go to art school. Ever since completing a BFA from the Boston Museum School / Tufts University in 1967, she has made art and design a part of her life. After exploring a couple of media after some time, she has opted for oil paint as her favored medium for its performing traits as well as richness of color. Gouache as well as monotype works on paper augment her larger oil works on canvas, wood panels and folding screens. Taking care of the Odell studio / gallery has given her with the satisfying experience of direct contact as well as relationships with many enthusiasts of her work. Her work is also currently represented by the Rice / Polak Gallery in Provincetown, MA and in several juried group shows in the New England area. She exhibits often with the Monotype Guild of New England of which she had been president for 3 years.
David Smith-Harrison was born in Salt Lake City, Utah in which he has spent the greater part of his existence. In 1977 he was awarded a Utah State Sterling Scholarship, prior to going on to be schooled at the South Glamorgan Institute, Cardiff, Wales in 1983 as well as the University of Utah, Salt Lake City in 1984.
His highly original printmaking, that blends traces of Renaissance style architecture with clearly rendered organic objects, relies on his interest for drawing. "Drawing is of central importance to me," he says, "it is a tool for developing my powers of observation and memory."
The delicate technique of printmaking has a much higher element of surprise. Smith-Harrison enjoys this slightly unstable delivery of his concepts. He states "I am attracted to the infinite possibilities of impressing ink onto paper and I find the unique textural characteristics of prints to be stimulating, seductive, and full of subtlety and nuance." It is a time-consuming technique inherited from the wonderful engravers of the Renaissance, a period of time which in particular fascinates Smith-Harrison. He emphasizes that his fascination with earlier artistic traditions will be as important to him as his connection with current life.
Smith-Harrison's high artistic standing has guaranteed wide exhibition of his work. He has displayed several solo and group events all over California. His work was also exhibited at the Evergreen Graphic Art Association, Taipei Cultural Centre, Taiwan in 1993.
In addition, Smith-Harrison has took part in numerous juried exhibitions. Among these include the Ashland University Printmaking Invitational Exhibition, Ohio, where he displayed work in 1999; National Printmaking, College of New Jersey, Trenton in 1997, Tokyo International Mini-Print Triennal 95, Japan; 65th National Print Exhibition, Society of American Graphic Artists, Federal Plaza, New York in 1993 and US-UK Print Connection, Barbican Centre in London in 1989.
WilIiam Stolpin was born and brought up in Flint. He went to Garfield elementary, Emerson Junior High as well as old Northern High School, where he is presently a Distinguished Alumni with his picture on the wall at the brand new High School. He managed to graduate from Northern in 1960, and went directly to GMI. He graduated with BME in 1965. While he was in Junior High, he was creating linoleum block Holiday greeting cards. One card particularly had 7 blocks and about 15 colors. He became aware, at that moment, that he had a talent for printmaking, and have been creating images ever since.
David Smith-Harrison was born in Salt Lake City, Utah in which he has spent the greater part of his existence. In 1977 he was awarded a Utah State Sterling Scholarship, prior to going on to be schooled at the South Glamorgan Institute, Cardiff, Wales in 1983 as well as the University of Utah, Salt Lake City in 1984.
His highly original printmaking, that blends traces of Renaissance style architecture with clearly rendered organic objects, relies on his interest for drawing. "Drawing is of central importance to me," he says, "it is a tool for developing my powers of observation and memory."
The delicate technique of printmaking has a much higher element of surprise. Smith-Harrison enjoys this slightly unstable delivery of his concepts. He states "I am attracted to the infinite possibilities of impressing ink onto paper and I find the unique textural characteristics of prints to be stimulating, seductive, and full of subtlety and nuance." It is a time-consuming technique inherited from the wonderful engravers of the Renaissance, a period of time which in particular fascinates Smith-Harrison. He emphasizes that his fascination with earlier artistic traditions will be as important to him as his connection with current life.
Smith-Harrison's high artistic standing has guaranteed wide exhibition of his work. He has displayed several solo and group events all over California. His work was also exhibited at the Evergreen Graphic Art Association, Taipei Cultural Centre, Taiwan in 1993.
In addition, Smith-Harrison has took part in numerous juried exhibitions. Among these include the Ashland University Printmaking Invitational Exhibition, Ohio, where he displayed work in 1999; National Printmaking, College of New Jersey, Trenton in 1997, Tokyo International Mini-Print Triennal 95, Japan; 65th National Print Exhibition, Society of American Graphic Artists, Federal Plaza, New York in 1993 and US-UK Print Connection, Barbican Centre in London in 1989.
WilIiam Stolpin was born and brought up in Flint. He went to Garfield elementary, Emerson Junior High as well as old Northern High School, where he is presently a Distinguished Alumni with his picture on the wall at the brand new High School. He managed to graduate from Northern in 1960, and went directly to GMI. He graduated with BME in 1965. While he was in Junior High, he was creating linoleum block Holiday greeting cards. One card particularly had 7 blocks and about 15 colors. He became aware, at that moment, that he had a talent for printmaking, and have been creating images ever since.
About the Author:
Printmaking is definitely a wide medium in art and can be learned almost anyplace, in art institutions or from printmaking artists. Once you know basic principles, you will discover there are numerous techniques to make a really good print.
No comments:
Post a Comment